Eastern European Surrealism – Stirling

Tickets sold through Macrobert Arts Centre

Date and Time
13 October 2026

Address
Macrobert Arts Centre, University of Stirling, Stirling, UK Map

Duration
90 mins

Accessibility

All screenings in our animated film programme will be captioned with full descriptive subtitles.

This shorts programme is curated in partnership with Samizdat Eastern European Film Festival in Glasgow and offers a unique collection of Eastern European surrealist animation from 1965 to 2022. This retrospective offers a whistlestop tour through the rich history of animation from Eastern Europe and Central Asia, and exploring the ways in which this history is still influencing animators in the region today. 

From a city run by beans to an office building filled with anti-capitalist mice, these films represent not just the technical finesse and playfulness of animation, but also the intricate ways in which it captures the political and social anxieties of this geographic region. The showcase represents a fantastic opportunity for audiences in Stirling to see rarely exhibited films that have defined animation from the middle of the twentieth century to the present day.  


Shorts Programme

The Hand – Jiri Trnka (Czechoslovakia)
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand’s request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy. (18 mins)

Mask of the Red Death – Pavao Štalter and Branko Ranitović (Yugoslavia)
Based on the story of the same name by Edgar Allan Poe. (10 mins)

Scenes with Beans – Ottó Foky (Hungary)
Watching from the stars, an all-seeing creature observes a society of sentient beans — the joys, triumphs, and tragedies of day-to-day life
on their planet — until the busy inhabitants finally notice the watcher’s leering gaze. (12 mins)

…Ja teeb trike (…And Plays Tricks) – Priit Parn (USSR)
A tiny green bear (the Trickster) tries his best to impress a group of animals with his annoying tricks. (10 mins)

Tyll the Giant – Rein Raamat (USSR) Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. When war comes to the island, Tõll arrives to aid his dying army, but the devil takes advantage of his absence to wreak havoc on Tõll’s home. (13 mins)

Dimensions of Dialogue – Jan Švankmajer (Czechoslovakia)
Three surreal depictions of failures of communication that occur on all levels of human society. (12 mins)

The Juggler – Skirmanta Jakaitè (Lithuania/France)
We live in the same house, but in different apartments, jobs, situations, convictions, visions, fooling ourselves that this is the only world that exists. This film is about an unfamiliar and frightening side of life, one that we never really grasp but feel it somewhere close. (11 mins)

Money and Happiness – Nikola Majdak Jr., Ana Nedeljković (Serbia)
The hamsters live and work in Hamsterland, a perfect state with a perfect economy. The GDP grows steadily, there is no unemployment, and 100% of the population declare themselves to be happy. (10 mins)


Partners and Funders

Manipulate Arts’ Autumn Animation Season is supported by Film Hub Scotland, part of the BFI’s Film Audience Network, awarding funding on behalf of Screen Scotland and the BFI National Lottery           .

 

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